The Old Coot is a movie maker.
By Merlin Lessler
When I was a kid, 7 or 8 years old, I pretended I was
making a movie as I went through the day.
I’d narrate the scene in my head. “He’s on his bike, heading down the
street. He turns on Vestal Ave toward Medola’s grocery store. He enters; he goes
to the walk-in cooler, grabs a Pepsi in a glass bottle, hands Mr. Medola a dime,
plus two pennies for the deposit; goes outside; sits on the bench and watches people
walk by.” On and on I’d go, as the day played out. At least when I was by
myself. I’m still doing it! I guess it’s my subconscious that takes over. Just
like it does when I write an old coot article.
Anyhow, I have a file cabinet full of these “movies’ that I
tap into. They go all the way back to when I was three years old. That’s when a
stray dog wandered into our driveway and came over to me as I sat on my rocking
horse, dressed like a cowboy and sporting two holstered six-shooters. I got off
and hugged him and then asked my mother if I could keep him. She said I could, until
she and my dad found its owner. They
never did; it was a “drop-off” dog and not a he, because “she” had seven
puppies in our garage two weeks later.
That was my first movie and my favorite, since I got to
keep one of the puppies, Topper. He was with me until I was fourteen. Of
course, it’s not a movie, it’s a memory. But, as I wander back to visit my past,
it seems like a movie. Some scenes anyhow: the yo-yo contest I almost won – my
patrol-boy days, helping the younger kids cross at my assigned corner. The
campfires in the woods with my friend Woody, blackening hot dogs on a stick in
a leaf fire.
It’s a treasure vault. And, a nice place to visit when the
dentist is drilling my tooth or the doctor says this is going to hurt. Or, when
some boring person goes on and on, ad-nauseam. I don’t know if other people
were film directors like me. Maybe you had to be a movie nut like me, who went
to a neighborhood movie theater every Saturday, and for 25 cents, got to watch
two or three cowboy movies and a slew of cartoons. That’s probably what
amplified my career as a videographer. It at least explains why I was so good at
staggering & fake dying from a smoking cap-gun in a neighborhood shoot out.
Comments? Send to mlessler7@gmail.com
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